An Indomitable Grace

Thoughts on mercy, humanity, vulnerability, and beauty

  • Remember, Mon Ami Reprise

    Remember, mon ami
    goodbyes are not the end;
    it’s not over just because
    we hang up the phone.

    Remember, mon ami
    that sometimes practical
    comes before desire,
    and singing isn’t the same without you.

    Remember, mon ami
    I’ve never been able to set you free,
    but hurt isn’t painful forever,
    and ashes can be beautiful.

    Forget me not, mon ami.

  • Sartre and De Beauvoir

    The pact that freed her
    of old expectations, of acting
    in her outdated role,
    was the pact she lived by.
    She was poised and elegant,
    eyes in control,
    not delicate or timid,
    but actual, alive.

    So love became a game,
    a play, a cabaret.
    Each act came and went,
    each lover swept the stage.
    But never again did the desirous
    duet unite on the scene,
    but played a game of copycats,
    in the name of being free.

    And she was
    so beautiful, so seductive
    in her charms.
    Her mind more than equaled
    her elegance and her grace,
    always two steps ahead,
    save in one place.

    Her heart was never conquered more—
    though none could catch her mind—
    than in the only one who held her soul,
    who would not keep it close to his,
    but dropped it in his coffee,
    casually drinking it,
    as if unaware of her there.
    And, finished with his drink, he absently
    put out his cigarette
    in the last drops that remained
    of her heart.

    So it was that freedom pact
    became her prison,
    and her captor no less pretending
    than the waiter in the bistro.
    For in the end, she lost her soul
    in a coffee cup,
    and after all the intrigues,
    she was no more his
    than the many blondes
    he’d taken to bed.

  • Poetic Justice

    “This isn’t poetic,” Ella suddenly blurted. She hadn’t really been listening for the last minute or so, not that it made a difference. She was lost in thought, the result of which was the previous declaration.

    Tim looked at her with a quizzical look on his face. “What do you mean?” he asked.

    This,” Ella replied, emphatically, “it isn’t poetic.”

    “Of course it is. I’m reading you a poem.”

    Ella very nearly scowled. “The Cat in the Hat is hardly poetic.”

    They were standing the children’s section of a Barnes and Noble. Ella much preferred the crammed used bookstore across from the two-dollar movie theater, though she had never mentioned this to Tim.

    Very bored of trying to impress her with his literary expertise—something easy to get bored with as it was practically non-existent—Tim turned to one of his favorite childhood books. However, long before he could even get to the introduction of Things One and Two, Ella’s sudden revelation interrupted the comfort of his childhood reminiscence.  Indeed, it interrupted what had hitherto been a rather pleasant evening.

    Tim reverted to his somewhat careless sense of humor. “You shouldn’t be so critical of Dr. Seuss. There is plenty of poetry in his books.”

    Tim’s attempt to lighten the look on Ella’s face fell flat as Ella’s resolute and stern expression did not crack a smile. “I am not talking about Dr. Seuss.” she replied quietly, in a tone that sounded like anything but a whisper.

    Tim became slightly more serious, getting a better sense of where the conversation was headed.

    Ella and Tim had been dating for about five months, and they hadn’t known each other for much longer than that. They met at a grocery store. Ella had just discovered falafel. She was in a chatty, inquisitive mood. Tim happened to be there in the same aisle buying falafel. One thing led to another and the discovery of a mutual friend, or, perhaps, merely an acquaintance. It was only a matter of weeks before they began dating.

    For Ella, this was new. Her relationships had a tendency toward intensity, a great deal of intensity, but not longevity. For Tim, relationships were practically non-existent. In the end, they were both being rather impulsive, and neither of them took time to consider how poetic or unpoetic the meeting had been. Rather, they each eagerly appreciated (with the help of that friend or acquaintance) any kind of mutual interest.

    Unfortunately, five months later, Ella was seized with the sudden realization that their relationship was more than usually boring. This was primarily unfortunate for Tim.

    Tim was not necessarily a boring person. He was smart, successful, even attractive in certain lighting. When he bothered to stand up straight and put on a tie, he was more than presentable to Ella’s former boyfriends, should the opportunity present itself. In fact, Tim’s own interests were in computer science. He was a programmer, a rather brilliant one. Ella even found his somewhat wry sense of humor charming—at first. He was, however, predictable.

    The fact of Tim’s boringness was not entirely his fault, but it was a fact, a fact that had suddenly become impossible to live with for Ella. Thus they found themselves standing in the children’s section of Barnes and Noble.

    “What do you mean?” came Tim’s hesitant response. He didn’t really want to ask. He knew she had an answer that he didn’t actually want to hear. “Barnes and Noble?” He hoped he’d be safe, “We can go somewhere else.”

    Ella was somewhat relieved that she did not have to creatively side-step his first question. He had given her a way out. She took it, “Where would you like to go?”

    Somewhat relieved, but not entirely, Tim blandly scratched his head. ” I don’t know. We could go to that park.”

    Ella saw a glimmer of hope. “Which park?”

    “That one where Annie plays soccer.” Annie was the mutual friend/acquaintance.

    Ella vaguely remembered and asked whether Tim had any other ideas. Tim’s heart rate had increased slightly since the abrupt halt to his presentation of the Dr. Seuss classic. This was, of course, imperceptible to anyone else, and Tim entirely failed to notice as well. He began listing the places and activities that came to mind, hoping Ella would like at least one of them.

    The disillusioned Ella heard exactly three and a half suggestions before her memory was filled with the events of an evening at ‘that one’ park: about how Tim had gotten his foot stuck in a chain-link fence as he attempted to climb it; about the friends who were with him and their uninteresting conversations about hand-soap and razor burn; about the small, stunted trees that were too pathetic to even be considered Gothic. Images of the brown, prickly, short grass came to mind. She was reminded of the fact that the mud was even too shallow to be of any palpable interest. She imagined days to come in such parks, then her own conversation turning for the worse, only to leave her spending her evenings in, watching television or playing FreeCell on her characterless computer.

    This thought was simply too much. As Tim was in the middle of describing the advantages of simply renting a movie and going back to his apartment, he was interrupted a second time.

    “We have to break up.”

    Tim stumbled on his words for a second longer before he realized what Ella had just said. “What? Why?” came his rather pitiable response. “We don’t have to stay at Barnes and Noble.”

    “It’s not Barnes and Noble, Tim. This isn’t going to work. I need more poetry. Where are the soft sunset rays of light, the cherry blossoms, the surprise springtime trips to Paris? Where are the infatuated, irrational love songs? I can’t keep doing this. It will ruin me someday. If I’m ruined, what good will I be to you?

    With that, Ella turned to leave. As she turned, she almost reveled in the image of Tim standing in Barnes and Noble, jaw slightly ajar, slightly stunned, as she walked away. Her excitement grew as she perceived a delightfully heavy rainfall through the windows. This poetic triumph was short-lived, however. Tim’s stunned stance was quickly recovered from, and, with his heart racing faster, her pursued Ella down the aisle.

    “What do you mean? You can’t just break up with me because you don’t like Barnes and Noble. How was I supposed to know? I happen to deeply appreciate the works of Dr. Seuss.”

    Ella tried to keep walking, but felt her triumph draining, not so much because of the attention being drawn to them, as by the loss of dramatic timing.

    She turned to face her assailant, “Look, I most certainly can break up with you. I have no problem with Dr. Seuss. Will you please try not to make a scene?” She turned again in the hopes of making it to the door before the rain had a chance to stop. She turned back to Tim, though, considering what she hoped would be her final words on the subject carefully. “Tim,” she began, almost endearingly, “the problem is not Dr. Seuss. It is not Barnes and Noble.” For a moment she was tempted to us a cliché and claim responsibility for the problem. However, that was the least poetic thing she could think of. So, after a rather pregnant pause, in which Ella’s anticipation for her next words almost exceeded that of Tim’s, she proceeded, “The problem is you. I’m so sorry I have to put you though this. I should have been more aware. But I’m awake now, alive, and this cannot continue.” At this Ella began to choke back tears. She whispered bereftly as took a step closer, “I’m sorry,” then kissed him sorrowfully on the cheek. “I’m so, so sorry.”

    Again she turned, somewhat triumphantly. She had nearly begun congratulating herself on having worked in such a woeful peck.

    “Eloise,” came the unwelcomingly loud voice. “This isn’t fair at all.” Tim came to cut her off this time. He was not terribly imposing, though he was visibly hot. Even as he began to lose his temper, he still slouched slightly, making him somewhat plain, considering the circumstances. “We’ve only been dating since July. There haven’t been any cherry blossoms or a springtime to visit Paris in. You are simply being unreasonably.” All of this, though said in a raised voice followed suit with his posture. His words were not commanding or convincing–never mind that they were correct.

    “Tim, it’s over. I can’t…” Ella allowed her voice to trail off, turning to leave once more. To her disappointment, the rain had stopped.

    “Can’t you give me another chance?” There was a brief pause and Ella thought perhaps she had triumphed. But it was not so. Defeat filled Tim’s voice as he continued. “What did I do wrong?” he whined.

    At this, Ella reeled. “Look,” she snapped, “you’re doing it. From day one our relationship was unpoetic. I can’t even break up with you poetically. Every time you open your mouth, it’s like the opposite of poetry comes out. Even your name is unpoetic: Tim. What would have been a perfectly timed and lamentable parting has now become an infuriating break up!” She nearly screamed.

    She turned again and remembered that it had stopped raining. “And it’s not even raining anymore,” she griped.

    Ella stormed out of the store. Her only consolation was in having the last word, and that was rather ruined by the imperfect state of misery she was in.

  • My dearest (though never shall you be again),
    Tell me that my form offends.
    Tell me how you wish no part of me
    nearer to you than the stars
    are to the earth.
    Remind me, oh dove, of the life
    you would prefer to mine.
    Then, I shall slip out the back door
    of my thoughts of you
    (I will tremble less in our passings;
    I will be miserable instead),
    of unattainable hoping.
    I will not think on your smile
    or your many kindnesses.
    Oh my dearest, be cruel.
    Be cruel.
    Cast me away and ruin my hope of you.
    For, every sweet movement
    is my undoing, a cancer to me,
    growing yet another tumor on my heart.
    Apart from you, my illness would be quite singular,
    only one thing to cause me pain.
    But stay by my bedside
    lest this cancer take me from this world.

  • Eternal springtime shines its sun
    for happiness, singing birds & cherry blossom fun,
    capturing my senses & sensibilities in rejuvenated delight.
    Winter’s eyes are ever-practical, unable to fight
    off sadness and skeletons and bitter cold nights.
    But spring is upon us in glorious song,
    in blue skies, wisping clouds, budding trees—mighty and strong—
    color exploding in melodies, darkness retreating,
    now ill at ease in daylight’s growing spring.
    These are the joys the shifting earth does bring.
    Though afternoons like these are rare,
    they waft forever’s promise through the temperate air,
    staving off tomorrow and working demands,
    beckoning us to seashores, to play in the sands.
    Today we forget worry & wringing our hands;
    today is alive with beauty and delight,
    pretending the sun never gives way to night.

  • I Never Told You

    I still love you,
    deeper than the ocean–I never told you,
    and now mountains and hours
    and all the pain you can force on me
    cannot keep me from loving you,
    even shunning my hope of happiness
    so I can freely love you.
    Don’t forget the laughter and words
    that made me love you first,
    so that even though lovers we will never be,
    friendship in the truest form
    can always be ours.
    I love you still, closest to my heart.

  • It’s Too Soon For You To Go

    It’s too soon for you to go.
    I want to tell you,
    or I want you to know
    what your legacy is doing.
    Just let me graduate from college,
    so I can send you the photos.
    Just wait a little longer,
    so I can love you a little better.

    It’s too soon for you to go.
    I want you to tell me,
    or I want to know
    your old time stories.
    Sing those hymns from your childhood,
    and give me sewing tips.
    Share with me the wisdom
    you gleaned from eighty years and eight kids.

    It’s too soon for you to go.
    I want to tell you,
    or I want you to know
    who I am becoming.
    Just let me get married
    so I can invite you to the wedding.
    Just let me start a family
    so we can visit you at Thanksgiving.

    It’s too soon for you to go.
    Tell me how you fell in love
    and how to make a marriage last,
    because most of us have forgotten
    what commitment feels like.

    It’s too soon for you to go.
    Let me memorize the sound of your voice
    and the shape of your curly hair.

    It’s too soon for you to go.
    They tell me I look like you
    when you were my age.

    It’s too soon for you to go.
    I’m afraid I won’t know who I am
    If you can’t tell me where I came from.

    It’s too soon for you to go,
    and it always will be.

  • How I Know

    It’s funny how it happened,
    my life, like a thread, got wrapped
    all around theirs.

    We wove in and out
    in our hellos and goodbyes.
    I hardly knew the shape we would take,
    the tiny threads, binding us all
    after tea
    and before the movies,
    somewhere between friends and lovers,
    we’ve held each other
    when depression and heartbreak
    take the reigns, driving us down
    unfamiliar paths, like a scene
    from Beauty and the Beast.

    We’ve had our share of laughter;
    it will keep us young when
    jobs and children keep our
    evenings early and our dishes undone.
    Love has blossomed in our midst,
    over-flowing to every one of us,
    drawing our threads tighter.

    A conversation, a birthday, new houses,
    even new shoes
    are the little things that make us us,
    even if we forget them soon.

    I did not realize between
    late-night walks and dinner parties,
    lovers found and friends lost,
    that the women who have stroked my hair,
    and the men who have fed my intellect
    were with every one of life’s threads,
    weaving a beautiful tapestry.

    So now I know
    that weddings are not just the result
    of two people’s love
    and funerals are never meant to be attended alone.

    I know that that bedrooms might be conception places,
    but the living room and dinner table
    are how we can sustain it.

    I know that I prefer a family of friends
    to every other ambition,
    and if that old cliché is true,
    I’ve found my home,
    as odd as it may be, in all of you.

  • Fuck You! I’m Glamorous

    It’s easy to joke about true things,
    especially when you’ve had enough sangria,
    and though in jest I proclaimed,
    “Fuck you! I’m glamorous,”
    I know how all too often
    I walk around with it stamped to my forehead:
    conspicuous contempt.
    I know because as I stand, waiting for
    my paper to print, I won’t look at the girl
    who’s staring at my outfit.
    My blood red lips make a shape, dripping
    with boredom,
    as if being noticed is like watching a game of golf
    on television.
    I blankly stare at something,
    not as if I’m interested, but so that my eyes
    have something to do besides meet those
    that are evaluating my teased ginger hair
    and uncommonly outrageous outfit.
    I know that almost no one else can pull off
    white silk palazzo pants,
    at least not people who are still alive.
    So, while that girl
    tries to decide if I’m one of the fashion program bitches,
    or if I’m just insane,
    I want to remove all doubt
    that I am certainly both.
    As I take my freshly printed pages
    and walk by her, leaving the library,
    I think to myself,
    Fuck you.
    I am glamorous.

  • George

    I miss you most
    when I cook asparagus or eat wild berries.
    I think of your soft, kind mannerisms,
    your playful sense of humor,
    your childlike soul.
    I miss your explanations of plants and birds.

    To my understanding, your face
    was always ancient,
    but never did any of your actions
    betray your age.

    I am happy I can remember you
    that way: smiling, healthy,
    not like that picture,
    where the life was drawn from your cheeks,
    and your illness had left its mark,
    even in your bright, puckish eyes.

    I remember that death
    is never acceptable,
    even if we all
    have one.